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An Analysis of Cantús Canícula Snapshots of a Girlhood...

Norma Elia Cantu’s novel â€Å"Canà ­cula: Imà ¡genes de una Nià ±ez Fronteriza† (â€Å"Canà ­cula: Snapshots of a Girlhood en la Frontera†), which chronicles of the forthcoming of age of a chicana on the U.S.- Mexico border in the town of Laredo and Nuevo Laredo in the 1940s-60s. Norma Elia Cantà º brings together narrative and the images from the family album to tell the story of her family. It blends authentic snapshots with recreated memoirs from 1880 to 1950 in the town between Monterrey, Mexico, and San Antonio, Texas. Narratives present ethnographic information concerning the nationally distributed mass media in the border region. Also they study controversial discourse that challenges the manner in which the border and its populations have been†¦show more content†¦Moreover, writing about memory which is the groundwork of the traditional autobiographical genre is a problematic endeavor, since it is a project of conflating memory, imaginatio n, and sometimes a conscious misrepresentation of the past. Likewise, it is a way to inscribe the discursive selves that they envision as â€Å"true† representations of their selfhoods. Turning to Canà ­cula, she writes: â€Å"The story is told through the photographs, and so what may appear to be autobiographical is not always so. On the other hand, many of the events are completely fictional, although they may be true in a historical context. For some of these events, there are photographs; for others, the image is a collage; and in all cases, the result is entirely of my doing. So although it may appear that these stories are my family’s, they are not precisely, and yet they are. (xi)† The photographs that are actually in the book seems to be genuine family snapshots, black and white images reproduced with creases, wrinkles, handwritten dates, scalloped edges, and mounting corners as if taken directly from the Cantà º family album. Although the photograph is as a matter of fact black and white, the reader is not only told to

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The story of the prodigal son started with the younger son that asked his father to give him his portion of the family’s inheritance then the son got what he wanted and went off on a long journey to a distant land and began wasting his fortune. When the son ran out of money, he took a job feeding pigs. He was so poor that he was willing to eat the food for the pigs. We will write a custom essay sample on Tred Paper or any similar topic only for you Order Now One day, the son realized all his faults and he finally came into his senses. He remembered his father and decided to return home to ask for forgiveness and mercy. His father welcomed his son with open arms. Due to the father’s happiness, he ordered his servants to prepare a celebration. Meanwhile, the older son was not happy when he came home, working the fields, only to find out that there was a party for the return of his younger brother. The father tried to prevent the older brother for being jealous and the father said â€Å"You are always with me, and everything I have is yours. So, from what I think, the younger son was selfish and immature for asking his part of the family’s inheritance even if that the father was not dead. Second, when the younger son took the job of feeding the pigs and even eating the pig’s food, it shows that he had sunk as low as he could possibly go. The son represents a person living in rebellion to God. I think that before we come into our sense, we should first experience failures. Third, the father is the image of the Heavenly Father. God is a symbol of love and is patient. He helps us when we return to him with humble hearts. He is not interested from what we have done in the past but forgives us. Lastly, the older son represents an image of the Pharisees. By being self-righteousness, they forgot to be a happy when a sinner returns to God. I think that the bitterness and resentment are what kept the older son to forgive his younger brother. How to cite Tred Paper, Papers